Instead, simply drag the file that’s to be imported towards the clapstick icon. Hold down the Command key and slide the clapstick bar up or down to keep it from obscuring part of the interface.ĭon’t use the FCP’s import menu command to bring in a new file. Loader appears in FCP as a small clapstick icon on top of the left or right edge of the FCP interface. You can also add or remove file extensions from the 3 primary media types. There are preferences where you can chose whether or not to launch Loader with FCP. ![]() Loader’s own interface is pretty minimal. Simply drag an MP3 track or a song from iTunes to Loader and it automatically copies the file and converts it to a 48kHz/16-bit AIF file, retaining its original file name. Loader will automatically create a Movies, Audio and Graphics folder inside, thus keeping everything neatly organized.ģ) The last and most important function is automatic sample rate conversion of imported audio tracks. That last folder is where I will direct Loader to send the imported files. Inside the Project Files folder, I’ll create folders for each FCP project in this manner: Drive Name/FCP Media/Project Files/Project Name. In my case, I typically create a Project Files media folder at the same location as my Capture Scratch folder. After that, Loader will remember where to send the files. You get to choose where these files are to be placed at the time of the first import into the project. More importantly, the media that is used in the edit stays with the rest of the project files.Ģ) Loader organizes this non-timecode-based media into three neat folders – Movies, Audio and Graphics. The original images, tracks and movies are preserved and untouched. The application does three very simple functions:ġ) Loader automatically copies the imported files into a central location that is independent of their original folders. #Red giant magic bullet looks final cut pro x professional#Loader is designed to deal with still images, sound files and QuickTime movies that are not ingested from tape, P2, XDCAM or other professional camera format. ![]() Issues like these, which are automatically handled for Avid editors by their application, require extra thought on the part of the FCP editor.Įnter Loader, which helps to resolve this dilemma. You should ALWAYS convert to 48kHz AIF files BEFORE bringing these into your FCP project, but most editors never do. FCP does an poor job of dealing with 44.1kHz audio and MP3 files. These images or tracks had been imported from the editor’s local Pictures folder or iTunes music folder and never copied to the external project drive in the first place.Īnother problem is sample rate conversion of audio. Digging a bit deeper, it turns out that these aren’t on the drive at all. The majority of the camera media relinks just fine from an external drive, but then I find a handful of clips that are offline. ![]() I occasionally inherit projects from other editors and am confronted with missing media. Setting your scratch disk locations in FCP takes care of ingested tape-based or tapeless media, but it doesn’t do anything to help you organize music, announcer tracks, photos and graphics, which make up a large part of a project. The cardinal mistake that I see many editors make is in how they handle file organization. Digital Heaven’s Loader is an utility that launches whenever FCP is started and is designed as a “helper application” to manage media files that you import into a Final Cut project. ![]() #Red giant magic bullet looks final cut pro x series#I’m going to spend the summer highlighting a number of these throughout the next series of posts. Quite a few have come to light since this year’s NAB. The last 6 – 12 months have seen a bumper crop of new Final Cut plug-ins and utilities that extend its power and functionality.
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